Award-winning designer and writer Steven Heller comes of age at the center of New York's youth culture in the mid-1960s to the mid-1970s.
Steven Heller has written a memoir. This is no chronological trek through the hills and valleys of his comparatively "normal" life, but instead, a coming of age tale whereby with luck and circumstance, he found himself in certain curious places at critical times during the early to late 1960s and later throughout the 80s in New York City.
Steven Heller est codirecteur du cours de design indépendant et cofondateur du cours de design critique à la School of Visual Arts de New York. Pendant trente-trois ans, il a été directeur artistique du New York Times et a écrit plus de cent vingt ouvrages sur le design. Parmi ceux qui ont été traduits en français figurent Design for Obama, en collaboration avec Spike Lee, ou Typographie vintage à l'ère du numérique, avec Gail Anderson.Franco-Américaine, Véronique Vienne a travaillé pour nombre de magazines américains en tant que directrice artistique, dont Self et le supplément dominical du San Francisco Examiner. Elle est l'auteur de plusieurs livres et contribue fréquemment aux magazines Graphis, Communication Arts et Metropolis. Elle enseigne à la School of Visual Arts de New York.
Caractéristiques
Caractéristiques
Date Parution
13/10/2022
EAN
9781648960567
Nb. de Pages
224
Editeur
Princeton Architectural
Caractéristiques
Poids
500 g
Présentation
Grand format
Dimensions
21,6 cm x 14,0 cm
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Award-winning designer and writer Steven Heller comes of age at the center of New York's youth culture in the mid-1960s to the mid-1970s.
Steven Heller has written a memoir. This is no chronological trek through the hills and valleys of his comparatively "normal" life, but instead, a coming of age tale whereby with luck and circumstance, he found himself in certain curious places at critical times during the early to late 1960s and later throughout the 80s in New York City.
This story is both entertaining and enlightening and follows Heller between the ages of 16 and 23 as he solidified his work as art director, graphic designer, cartoonist and writer, through stints at the New York Review of Books, Sex, Screw, and The New York Free Press, until becoming the youngest art director (and occasional illustrator) for The New York Times OpEd page at age 23.
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