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Ivanhoe

Walter Scott (Auteur)
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Résumé

Biographical note

Walter Scott (1771-1832) was born and educated in Edinburgh. He trained as a lawyer and later entered the printing business. He published several volumes of poetry and turned down the offer of the laureateship before concentrating on fiction. He is credited with establishing the form of the historical novel and the short story.

Graham Tulloch is a Reader in English at Flinders University, South Australia. He has published several books on Scott.

Main description
IVANHOE (1819) was the first of ... Lire la suite
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Biographie

Sir Walter Scott (1771-1832), prolifique auteur de romans (Ivanhoé, La Dame du
Lac) et poèmes historiques, très populaire en son temps dans toute l'Europe, est aujourd'hui considéré comme un classique. Longtemps relégué au «purgatoire» de la littérature, Walter Scott n'en fut pas moins le père fondateur du roman historique, qui influença Balzac, Hugo, Dumas ou Mérimée.

Caractéristiques

Caractéristiques
Date Parution30/03/2000
EAN9780140436587
EditeurPenguin Books
Caractéristiques
Poids374 g
PrésentationGrand format
Dimensions19,8 cm x 12,9 cm
Détail

Biographical note

Walter Scott (1771-1832) was born and educated in Edinburgh. He trained as a lawyer and later entered the printing business. He published several volumes of poetry and turned down the offer of the laureateship before concentrating on fiction. He is credited with establishing the form of the historical novel and the short story.

Graham Tulloch is a Reader in English at Flinders University, South Australia. He has published several books on Scott.

Main description
IVANHOE (1819) was the first of Scott's novels to adopt a purely English subject and was also his first attempt to combine history and romance, which later influenced Victorian medievalism. Set at the time of the Norman Conquest, Ivanhoe returns from the Crusades to claim his inheritance and the love of Rowena and becomes involved in the struggle between Richard Coeur de Lion and his Norman brother John. The gripping narrative is structured by a series of conflicts: Saxon versus Norman, Christian versus Jew, men versus women, played out against Scott's unflinching moral realism.
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