The perfect primer on the surrealist writer and photographer Claude Cahun.
Claude Cahun (1894-1954), the chosen name of the artist Lucy Schwob, was best known in her lifetime as a writer but built up a remarkable body of photographic work that only came to prominence after her death.
Politically active and involved with a wide circle of artists and intellectuals, including the surrealists, Cahun followed her own rules in both life and art. She is best known for her strikingly staged self-portraits, in ... Lire la suite
Claude Cahun (1894-1952) née Lucy Schwob et nièce de Marcel Schwob, a pu déclarer : « J'ai la manie de l'exception ». Elle était en fait plusieurs exceptions à la fois : poète, photographe, comédienne, traductrice, essayiste et activiste révolutionnaire. Elle est devenue depuis deux décennies une véritable icône du féminisme mondial.
Caractéristiques
Caractéristiques
Date Parution
29/06/2023
Collection
Photofile
EAN
9780500297490
Nb. de Pages
144
Caractéristiques
Editeur
Thames & Hudson
Poids
401 g
Présentation
Grand format
Dimensions
19,0 cm x 12,5 cm x 1,0 cm
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Détail
The perfect primer on the surrealist writer and photographer Claude Cahun.
Claude Cahun (1894-1954), the chosen name of the artist Lucy Schwob, was best known in her lifetime as a writer but built up a remarkable body of photographic work that only came to prominence after her death.
Politically active and involved with a wide circle of artists and intellectuals, including the surrealists, Cahun followed her own rules in both life and art. She is best known for her strikingly staged self-portraits, in which she used costumes, makeup, and technical effects to tackle themes of identity and self-representation. Her love of symmetry, mirroring, repurposing, and retouching was also reflected in her approach to other styles of photography, including portraiture, photomontage, and still-life tableaux.
Whether working alone or in collaboration with her life partner, Marcel Moore (born Suzanne Malherbe), Claude Cahun was a pioneering figure in the aesthetics of modernity who never stopped crossing boundaries of gender and genre.
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