Hervé Guibert's incandescent correspondence with Belgian poet Eugène Savitzkaya.
In 1977, Hervé Guibert discovered the first novel written by Eugène Savitzkaya, Mentir, and sent him his La mort propagande, which had just been published. In the following years, they exchanged the books they had written, read each other, appreciated each other. They saw each other rarely, however: one lived in Liège, the other Paris.
A turning point occurred in 1982, when Hervé published Lettre à un frère d'écriture, in which he declared to ... Lire la suite
Hervé Guibert est né en 1955. Il est mort à Paris en 1991. Ecrivain, journaliste et photographe, il est l'auteur de nombreux livres parmi lesquels Mes parents, A l'ami qui ne m'a pas sauvé la vie, et un journal posthume, Le Mausolée des amants. Zouc est auteur interprète. Ses spectacles ont laissé une trace inoubliable dans la mémoire de ceux qui l'ont vue et entendue jouer seuls sur scène, entre 1970 et 1989. Victime en 1997, d'une infection nosocomiale qui l'a laissée gravement handicapée, elle n'a pu, depuis, reprendre son activité théâtrale.
Caractéristiques
Caractéristiques
Date Parution
25/10/2022
EAN
9781635901726
Nb. de Pages
144
Editeur
Semiotexte
Caractéristiques
Poids
367 g
Présentation
Grand format
Dimensions
20,3 cm x 13,7 cm
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Hervé Guibert's incandescent correspondence with Belgian poet Eugène Savitzkaya.
In 1977, Hervé Guibert discovered the first novel written by Eugène Savitzkaya, Mentir, and sent him his La mort propagande, which had just been published. In the following years, they exchanged the books they had written, read each other, appreciated each other. They saw each other rarely, however: one lived in Liège, the other Paris.
A turning point occurred in 1982, when Hervé published Lettre à un frère d'écriture, in which he declared to Eugène, I love you through your writing. The tone had changed; Hervé, obsessed with his correspondent, wrote him increasingly incandescent letters. 1984 would, however, see the sudden extinguishing of that passion. A deep friendship replaced it, which found itself with new areas to explore: the adventure of publishing L'Autre Journal and at the Villa Medicis, where they were both fellows. These nearly eighty letters, exchanged between 1977 and 1987, form a correspondence that is all the more unique for being the only one whose publication was authorized by Guibert. An intersection of life and writing, self and other, reality and fiction, their release is a renewal of Guibert's oeuvre.
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